The Scream of the Butterfly
"My loathings are simple: stupidity, oppression, crime, cruelty, soft music."
Vladimir Nabokov
Reblogged from hellogiggles on 07-01-2012

(Source: ronbabcock)

    Reblogged from brightwalldarkroom on 01-12-2011

    a bright wall in a dark room.: Hugo (2011)

    brightwalldarkroom:

    LIFE IS BUT A DREAM.

    by Chad P.

    I go to the movies because of movies like Hugo. I believe in movies because of movies like Hugo. And not to put too fine a point on it, but this entire site basically exists because of movies like Hugo.

    Martin Scorsese’s first truly family friendly film…

      Reblogged from pitchfork on 29-11-2011

      (Source: brian-brooks)

        Reblogged from applecocaine on 28-11-2011

        applecocaine:

        Spanish artist Juan Francisco Casas uses a single biro pen to sketch these amazing pieces of art.

        holy shit

          Reblogged from oldhollywood on 28-11-2011

          oldhollywood:


Faye Dunaway on the set of Bonnie & Clyde (1967, dir. Arthur Penn) 
“Never have I felt so close to a character as I felt to Bonnie. She was a yearning, edgy, ambitious southern girl who wanted to get out of wherever she was. I knew everything about wanting to get out, and getting out doesn’t come easy. But with Bonnie there was real tragic irony. She got out only to see that she was heading nowhere and the end was death.
There was a real kind of fierceness I’d seen in Bonnie that I recognized in myself as well. You look at photos of her and see it in her eyes, the set of her jaw. It takes fierceness in life to get ahead. I already knew that. Bonnie was Tennessee Williams, Cat on a Hot Tin Roof time. She knew the only way to get what she wanted was through her own sheer force of will. She was driven by her own desire. I know that territory - you do whatever it takes. She wanted to be something special, something out of the ordinary.”
(via)

          oldhollywood:

          Faye Dunaway on the set of Bonnie & Clyde (1967, dir. Arthur Penn) 

          “Never have I felt so close to a character as I felt to Bonnie. She was a yearning, edgy, ambitious southern girl who wanted to get out of wherever she was. I knew everything about wanting to get out, and getting out doesn’t come easy. But with Bonnie there was real tragic irony. She got out only to see that she was heading nowhere and the end was death.

          There was a real kind of fierceness I’d seen in Bonnie that I recognized in myself as well. You look at photos of her and see it in her eyes, the set of her jaw. It takes fierceness in life to get ahead. I already knew that. Bonnie was Tennessee Williams, Cat on a Hot Tin Roof time. She knew the only way to get what she wanted was through her own sheer force of will. She was driven by her own desire. I know that territory - you do whatever it takes. She wanted to be something special, something out of the ordinary.”

          (via)

            Reblogged from peppersprayingcop on 21-11-2011

            peppersprayingcop:

“In España, we can sit wherever we want. Unless we get bombed by warplanes. But that hasn’t happened since 1937AUAUAUAAUAAAHAHHHHFGGGHHGHGHHHHHHHHH”

            peppersprayingcop:

            “In España, we can sit wherever we want. Unless we get bombed by warplanes. But that hasn’t happened since 1937AUAUAUAAUAAAHAHHHHFGGGHHGHGHHHHHHHHH”

              Reblogged from sociologic on 20-11-2011

              sociologic:

The concept of the accident.

              sociologic:

              The concept of the accident.

              (Source: whereisthecoool)

                Reblogged from oldhollywood on 19-11-2011

                oldhollywood:

Fiona Fullerton in Alice’s Adventures in Wonderland (1972, dir. William Sterling) (Sight & Sound)

                oldhollywood:

                Fiona Fullerton in Alice’s Adventures in Wonderland (1972, dir. William Sterling) (Sight & Sound)

                  Reblogged from oldhollywood on 15-11-2011

                  oldhollywood:

From Katharine Hepburn’s 1981 interview with Barbara Walters: 
Hepburn: “I have not lived as a woman. I have lived as a man…I’ve just done what I damn well wanted to and I made enough money to support myself. And I ain’t afraid of being alone.”
Walters: “Is that why also you wear pants?”
Hepburn: “No, I just wore pants because they’re comfortable.”
Walters: “Do you ever wear a skirt, by the way?”
Hepburn: “I have one.”
Walters: “You have one.”
Hepburn: “I’ll wear it to your funeral.”
(via/photo via)

                  oldhollywood:

                  From Katharine Hepburn’s 1981 interview with Barbara Walters: 

                  Hepburn: “I have not lived as a woman. I have lived as a man…I’ve just done what I damn well wanted to and I made enough money to support myself. And I ain’t afraid of being alone.”

                  Walters: “Is that why also you wear pants?”

                  Hepburn: “No, I just wore pants because they’re comfortable.”

                  Walters: “Do you ever wear a skirt, by the way?”

                  Hepburn: “I have one.”

                  Walters: “You have one.”

                  Hepburn: “I’ll wear it to your funeral.”

                  (via/photo via)

                    13-11-2011

                    Dining under Saturn.

                    Dining under Saturn.

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